Apogee Element 24 1012 Thunderbolt Audio Interface For Mac
PreSonus (1,012) Unbranded (537). Guitar to USB PC Mac RIG 5 MIDI Interface Link Audio Recording Recorder Adapter. Free Shipping. Apogee Element 24 Interface. Avid HD Native Thunderbolt Interface.
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Mail, please mail a self-addressed stamped envelope to: B&H Foto & Electronics Corp., Attn: B&H $500.00 Gift Card Dash Sweepstakes, 440 Ninth Avenue, New York, NY 10001. Any Winners List request must be received by B&H within one (1) year of the date the Sweepstakes is conducted. Borrowing the technology from the highly-regarded Symphony I/O MKII, Ensemble Thunderbolt, and Groove, the Element 24 from Apogee Electronics offers 10x12 of audio I/O for Mac, well suited for producers, engineers, bands, or anyone looking for professional-quality conversion. The Element features boutique-quality mic preamps and selectable 48V phantom power for connecting microphones, instruments, or line-level sources.
The 24 offers two analog inputs via two XLR-1/4' combo connectors, while the four outputs are offered via two balanced XLR, and one 1/4' TRS stereo headphone connectors. Additional I/O is offered from a single set of optical TOSLINK ports providing ADAT, SMUX, and S/PDIF protocols. Word clock I/O is also provided for syncing with other digital audio gear.
The modern, streamlined Apogee Control interface app with Essentials Control Strip window gives you access to all controls and settings for the Element hardware. Adjust input/output levels, select input type, configure up to three low-latency mixes, and more. Additionally, the unit can be wirelessly controlled from an iPad, iPhone, or iPod touch, via the free Apogee Control Remote for iOS app, which gives you access to the hardware settings included in the Apogee Control Essentials Window. Analog to Digital Conversion A high-quality A/D converter is critical for capturing every detail of your recordings into your computer. The Element series features some of the best Apogee A/D conversion.
Recording through an Element ensures you will minimize unwanted noise and maximize the signal quality. Microphone Preamps Whether you are recording powerful drums, dynamic vocals or delicate strings, you need a high-quality mic preamp to capture the finest details of the performance. The Element Series mic preamps feature Apogee's Advanced Stepped Gain Architecture™. This analog circuit is designed to dynamically optimize across a gain range of 0-75 dB to provide superior bandwidth and low distortion. Digital to Analog Conversion With a high-quality D/A converter, you will hear more definition in each track and virtual instrument.
This clarity makes it easier for you to make precise adjustments and achieve the ideal balance when mixing your music. When you listen to your sessions through an Element, tracks will blend more harmoniously and mixing will be easier. The high end will sound crisp and clear and the low end will be tight and well defined. Clocking An audio interface relies on a clock source like an orchestra relies on a conductor. A digital audio clock provides a timing signal to all the parts of a digital audio system so that each part of the AD/DA process may be synchronized. Element has its own built-in clock source and provides professional Word Clock IN and OUT for syncing with other digital audio gear. Use Element as the master clock to take advantage of Apogee's superior built-in clocking technology.
Apogee Element 24 1012 Thunderbolt Audio Interface For Mac Free
Thunderbolt Connectivity The Element Series Thunderbolt driver offers incredible low-latency performance (1.41 ms round-trip) and rock-solid stability. Apogee's custom driver uses less of your computer's CPU power with the help of Direct Memory Access (DMA) technology. This allows you to run more plug-ins and monitor through your DAW at a low buffer setting.
Element's low-latency driver means you don't have to choose between power and speed. Apogee Control Software The modern, streamlined Apogee Control interface app with Essentials Control Strip window offers extensive flexibility to customize your workflow and adapt to your creativity. It lets you access all I/O controls and settings for your Element hardware.
Select your input type, adjust input/output levels, configure up to 3 different low-latency mixers, and more. You can use the arrow keys on your keyboard to quickly select any input or output and adjust the level. The unit can be wirelessly controlled via the free Apogee Control Remote for iOS app (iPad, iPhone or iPod touch), which gives you access to the hardware settings included in the Apogee Control Essentials Window. The Element is compatible with Apogee Control hardware remote (available separately). Combine Elements Element 24, 46, and 88 are built to work together. Connect any two Elements directly to a Thunderbolt port on your computer and increase the number of analog I/O in your recording system.
When using multiple Elements, the optical I/O is for the low-latency mixer internal bussing. Logic Integration When you're using Logic Pro X, you can set Element input settings like gain, input source and more directly from with Logic's Channel Strip, for the ultimate integrated system. Element's I/O settings are saved with each Logic session, for instant and effortless recall. Rated 4 out of 5 by Anonymous from High quality DAC, but still a few things to work out I have been using the thunderbolt for about a month now. I had to return the first one I received after one week due to a faulty headphone jack. The new one has been going strong for the last three weeks.
Each time I plug the unit into my mac, there is an audible pop that comes through the headphones and the reference monitors that are connected to the unit. I worry about this damaging my very expensive headphones over time and I wonder if this has something to do with why the first unit's headphone jack burned out. I use the Element 24 with Logic Pro X to record electric guitar, electric bass, and to connect an SM7B microphone to the unit for vocals. First, let me say that the quality of the sound is a huge leap forward for me. I have been using an Apogee Jam for guitars, and an Apogee Mic for vocals. Using this unit has been like when I put reading glasses on for the first time and instead of seeing blurry ink on the page, I could see the texture of the paper and the crisp outline of the printed letters. One huge difference was the bass guitar.
When I compare the Element to the Apogee Jam, the Jam sounds like the instrument was recorded through a long metal tube. I had actually stopped playing slap style bass because it sounded so bad. I thought maybe I was slapping the strings too hard or something because it would always sound clipped and tinny, regardless of where I set the input. The electric guitar has also been much clearer and the sound has much more fidelity. I use the virtual amps in Logic and there often times where I couldn't really hear a big difference between different amps. Now, the sounds have real color and I can clearly hear the difference between them.
The element delivers very clear and accurate audio. Feels like new life has been breathed into my recordings.
The downside is that I often get cracks and pops from the audio playback. This isn't noise that is in the recording, just the audio feed. It happens on itunes or even youtube videos. I have a newish macbook pro, 1 year old, 16GB of ram, 2.8 GHZ core i7 processor - a nice machine. But I basically have to turn all other programs off while using the element. Sometimes I even have to reboot to get it to calm down. I don't know if this is a fundamental flaw with the design (they must do a lot in software on the computer), or if the software is just new and they need to work the bugs out.
I mentioned it to the support people but it was as if they didn't believe me. We test these units extensively. Maybe they do, but probably not under real world conditions. If it wasn't for the loud pop in the headphones and monitors when I turn the unit on, and the intermittent cracking and popping in the audio, I would have given the unit 5 stars. Maybe they will fix these issues in coming software upgrades. I would be happy to come back and change my review. Pros: Huge upgrade over Apogee Jam and Apogee Mic Clear audio Perfect representation of the sounds Drives my power-hungry SM7B with no need for a pre-amp like a cloudlifter Rugged box that feels solid and well built Input connections on the front are easily accessible Cons: Cracks and pops Loud pop when connecting unit to mac (or turning mac on) Overall, I am very satisfied with my purchase.
Apogee Element 24 audio interface. So with all the affordable Firewire and USB interfaces that have come out in recent years, I have been mostly uninterested, since they would have more latency. But Thunderbolt is essentially pci-e over a cable, so the potential for it to be as low latency and with Thunderbolt 2 and now 3, even less latency, my interest was piqued, as there is no longer any Macintosh computer that allows for pci-e without the use of a chassis. Apple has clearly decided to move on from pci-e and since I am a Logic Pro X user, I decided it was time for me to explore some options. I have always thought highly of ’s interfaces sonically and friends who I respect recently bought an Ensemble Thunderbolt and he is very enthusiastic about the low latency and excellent converters that it has. However, it costs $2500.00 approx., has way more I/O than I need, and with my budgets at the level they are these days, that purchase was not going to happen.
I was really surprised when Apogee announced that they were unveiling a new line of Thunderbolt audio interfaces named the Element series that promised Thunderbolt low latency performance, and the very same converters that are in the Ensemble. And while I am not a jingoist, the fact that it is made in the US is something that as an American, who generally has to buy electronics built in other countries like China, is attractive to me. There are three models, the Element 24,46, and 88, with list prices ranging from $595 to $1495. In Pic 1 you can see a comparison of what they offer.
The only real differences are the number of ins/outs and combi mic pres/line inputs. Any two of them can be combined with each other, so you have expandability if you decide that you need it later on.
Pic 1: the Element 24, 46, and 88 Quality Aesthetics & Sound I decided to review the 24, since for my purposes it has all that I require. I fully expected to like it, but not necessarily to like it so much that I would actually buy it. The build quality is very solid feeling, nothing cheap feeling about it. However, it does not include a Thunderbolt cable. The first thing I did was open a very large Logic Pro X/ VE Pro 6 cue that features lots of demanding virtual instruments and sample libraries, with a lot of UAD plug-ins.
With my present interface, I can run it reliably at a 256 buffer which is pretty good as with most Firewire/USB interfaces it would probably require a 512 setting with my computer. Well, with the Element 24 I can run it at 128. So far, so good. Now this is not a scientific comparison and it is possibly psychoacoustics, but listening back, the D/A converters sounded more open and detailed than what I have been hearing on my rig for the past few years. Either way, I really liked what I was hearing and felt that my mixes would probably improve and certainly would not suffer.
Easy Control My next step was to record myself singing through the mic pre. I love the fact that the Element 24 is so well integrated with Logic Pro, so that I can set the input level directly in Logic and even send top FX with it.
I did so and found the mic-pre to be excellent, with a good amount of gain (up to 75 dB) and very clean. Not a “mojo” mic pre with a lot of character, but very good indeed. The same is true of the headphone output. In the image below, you can see the front and back panel of the Element 24. Pic 3: The Element Control app That said, it is perhaps the one area that I am not in love with.
It is rather dark and not as easy to read with my tired old eyes as I would like, and the PDF documentation is not as good as it perhaps could be. For instance, I’m pretty sure I’m following it step by step for the FX send capability and not having any success. Could be my bad, but I am usually fairly good at following manual instructions.
There is also an optional hardware called the Apogee Control, that gives you a lot of one button functionality that is nice and that will soon include talkback capability, but at $195, you will have to decide how much you value that. Pic 4: The optional Apogee Control offers talkback capability Conclusion There are a lot of new Thunderbolt audio interface offerings from well-regarded companies, but Apogee has always enjoyed a stellar reputation for sonic quality with its converters and mic pres and low latency drivers, and the Element 24 lives up to their rep in my opinion. The integration with Logic Pro X is terrific. At this price point, I do not see how anyone could go wrong with the Element series as an interface for now and for the future with Mac computers.